Two lines in a loop

2011
16mm live film performance with Ana Hušman
duration / not predetermined

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White screen.
Black line from the white film loop, white line from the black film loop. The film breaks.
White screen.

The film exists only in the present; the moment of projection. The act is paying attention to the visible film strip, the audible sound of the 16mm projectors and the texture of the film emulsion with its ephemeral quality. watch video

In C_St.Francis case

2011
live media performance with Postmodern Art Ensemble
duration / not predetermined

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The source of the research cycle is the composition by the pioneer of musical minimalism, the American composer Terry Riley - In C. The cycle investigates the aspects of aleatoric quality and improvisation in the interaction of live music and video projections. It is based on cases - audiovisual concert/evenings of ambient type in which the duration and form are not predetermined.

This case was performed at the Franciscan Monastery in Pazin, HR on 14th of August 2011.

6666 Weeks Later

2011
AV live performance with Azot
audio duration / 2 520 seconds
video duration / 63 000 frames

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6666 weeks after the year 1883 the AV live performance re-elaborates the time unification points. In that year the book Harmonies of Tones and Colours was first published by F.J. Hughes and Francesco Barazzutti finished painting the Neo-Baroque ceiling of the Knight’s Hall in UGM Gallery Maribor where the performance is held.

Pattern II

2010
live media performance with Moire'
duration / 40'

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Analogue clusters of audiovisual perception performed at Museum of Contemporary Art Vojvodina, Novi Sad.

Inside the Structure / dialogue with Picelj

2010
live media concert / performance with Azot
duration / 45'

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Live media concert by Azot and Messmatik performed in Zagreb at the Museum of Contemporary Art, inspired and dedicated to one of the foremost Croatian abstract geometric painters Ivan Picelj.

Messmatik and Azot immerse the audience in a deeply evocative environment, alternating rigid geometrical structures with fluid dry-ice artifacts. The composition tethers around a gradually drifting subsonic pulse, modulating other strata into a rich maze of spectral overtones. Entropic particles align themselves geometrically, shifting in and out of focus with addition of every new layer. The space heaves, subsuming the audience and turning them into pillars, vestiges of some lost sacred geometries… (I.B.).  watch video

Luminokinetika

2010
audiovisual concert with Ivan Arnold and Dunja Kobas
duration / 42'

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The project is realized like mutual relationship and interaction of sound (live electronics, piano and violin) and image (specially programmed video software). Based on Srnec’s affinity for experimentation, adventure and soulfull play, the live act leads the visitors to the center of Srnec’s light objects - Luminokinetika.

Observing, researching and recording the hidden light and sound traces which emanates from lumino objects, and which are indiscernible and unvisible in everyday detection, the performance is giving a new experience to comprehend the synesthesia. This special treatment invites the public to expand their possibility to see the sound and hear the image, giving them a better understanting of Srnec’s methods: painting with light, color and sustance. watch video

Pixel Wind

2009
audiovisual performance with Christian Fennesz
duration / 40'

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Pixel Wind is a live media performance made by Fennesz and Messmatik at the Joanneum Museum in Graz during the Spring Festival 2009. The performance pervades the navigation beyond one photography, Versus, captured with 82 years old camera-box which portrays the social landscape that is devoid of any romanticism. The human is the unforeseeable active presence between the nature and technology, analogue and digital.
Through multiple crackling structures, the live act explores and reveals a research for the essence of seeing and hearing, for ontology of the audiovisual landscape. Pixel Wind spreads audiovisual resources to create atmospheres that combine narrative and aesthetic concepts in a structural improvisation performance which provides an endless multitude of imaginary world.  watch video

Not a Moment

2007
live media performance with Triggerz
duration / 50'

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Time presence study in form of live media
Realtime builded audiovisual performance is based on a play with temporal dimensions and moment annotations. The portraits of the visitors/public are stopped with a Polaroid camera. The ambient sounds and the triggering moment of caputure, modified in time intervals, constitute the sound carpet. The formation and development of the live moment is monitored and simultaneously recorded.

It is blended with already existing polaroids of other portraits - to public unknown people - and natural landscapes. The possibility of returnig back the previously recorded annotations with free manipulation form is creating a sense of new, oniric isolated moment.

Labirinti Acustici

2005
live media performance/installation with Danio Catanuto
duration / 6 hours

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 A series of cameras and microphones are placed in various rooms of the building, capturing every present sound and image. With every their movement the visitors affect the music and the video, and contributing to the real-time modification of the performance.

A.M.

2005
AV live performance with Raiz and Triggerz
duration / 50'

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 Re-elaboration of Alessandro Mendini drawings in form of poetry, music and video.